Even those that have been a part of Joker: Folie à Deux are voicing their disappointment with the movie, in accordance with actor and comic Tim Dillon. Having performed a guard at Arkham Asylum, Dillon lately opened up on the Joe Rogan Podcast concerning the sequel’s shortcomings, echoing widespread crucial disdain and poor field workplace outcomes—$204 million globally on a $200 million price range. The movie was rushed to digital streaming platforms lower than a month after its theatrical launch.
“It’s the worst movie that has ever been made. It’s truly not ‘so dangerous.’ It’s the worst movie ever made,” Dillon mentioned. He recommended that director Todd Phillips pivoted within the flawed path after the success of the unique Joker, which was each praised and scrutinized for its themes of male rage and nihilism. “Now they’ve Joaquin Phoenix and Woman Gaga faucet dancing, to some extent the place it’s insane… It has no plot… It’s not even hate watchable. That’s how horrible it’s.”
Dillon additionally shared behind-the-scenes tales, portray an image of confusion among the many solid and crew throughout manufacturing. “We might sit there, me and these different guys have been all wearing these safety outfits as a result of we’re working at Arkham Asylum, and I might flip to one among them, and we’d hear this crap, and I’d go, ‘What the f*ck is that this?’ They usually’d go, ‘That is going to bomb, man.’ I’m going, ‘That is the worst factor I’ve ever…’” He recounted lunch breaks the place discussions revolved round attempting to piece collectively the movie’s incoherent plot: “What’s the plot? Is there a plot? I don’t know, I believe he falls in love together with her within the jail?”
The underlying takeaway from Joker: Folie à Deux suggests Phillips and Phoenix’s shared discontent with the crucial and industrial success of the primary movie. Whereas the unique Joker (2018) subtly mocked society’s idolization of the “madman in clown paint,” the sequel appeared to double down on that critique in a convoluted, virtually self-parodying method.
Dillon’s remarks appear to echo a sentiment shared on set, the place many have been reportedly puzzled by the undertaking’s path. For now, Joker: Folie à Deux is obtainable for streaming on digital platforms, leaving audiences to determine whether or not the movie is a misunderstood artwork piece or a misstep in Phillips and Phoenix’s collaborative legacy.
What are your ideas on Tim Dillon’s critique of Joker: Folie à Deux? Have you ever seen the movie, and do you agree along with his perspective? Share your reactions within the feedback under!
